For all the BTS ARMY out there, we’ve got some fantastic news to share! The reputable media outlet ‘Dispatch’ has conducted a thorough investigation into the plagiarism claims surrounding BTS’s Jungkook and his solo track ‘Seven’. The controversy initially sparked when producer Yang Joon Young, a member of Fin. K.L., accused Jungkook of borrowing from his song “Time of Mask”. But hold onto your hats, because ‘Dispatch’ has turned the tables on these allegations.
The Allegations Unveiled
Yang Joon Young’s fuss was about a specific part of Jungkook’s “Seven” that runs from 00:55 to 01:03, starting with the lines “You love when I jump right in. All of me I’m offering…”. He pointed out that it bore a striking resemblance to a segment in “Time of Mask”, which spans from 00:52 to 01:10. Yang Joon Young even went the extra mile by providing a bunch of evidence to back his claim and asked for proper investigation. HYBE, the agency in charge of BTS, is yet to release an official statement regarding the matter.
Dispatch Digs Deep: The Investigation Process
To get to the bottom of things, ‘Dispatch’ took matters into their own hands. They wrote down the melodies of both songs on blank music sheets and played with the key, adjusting it to match the melodies. The key for “Time of Mask” was set to A minor, while “Seven” was changed to F major. The result? ‘Dispatch’ discovered that there weren’t any identical components between the two compositions. Key, chord progression, tempo, and even the arrangement of notes were all different. But here’s the twist—Yang Joon Young isn’t convinced and still claims that the two notes are the same, although there’s no concrete proof.
Expert Insight: The Plagiarism Puzzle
A music expert who weighed in on the matter pointed out a crucial aspect. To seriously consider plagiarism, you need at least two matching components, like a melody and chord progression. Unfortunately for Yang Joon Young, this case doesn’t fit the bill. With no overlapping elements found, the claims of plagiarism lost their ground.
Big Hit Music Stands Strong
Right from the beginning, Big Hit Music, the agency managing BTS, firmly denied the allegations. According to them, the accusations of copyright infringement against Jungkook’s “Seven” were baseless. They clarified that “Seven” was the result of a collaboration involving five international composers. They further emphasized that the song had nothing to do with a track released in South Korea 24 years ago, as claimed by Yang Joon Young. Big Hit Music stressed that the allegations failed to meet the standard criteria for determining copyright infringement, including significant similarities and originality.
Jungkook’s Journey Continues
In the midst of this rollercoaster, Jungkook dropped some exciting news. Brace yourselves, because a new remix of “Seven” is on the horizon! Jungkook teamed up with Latto for this remix and also collaborated with Swedish DJ Alesso. The remix is all set to launch on August 25 at 1 p.m. KST, promising to add a fresh twist to the original hit.
Inside the Remix
Big Hit Music confirmed this exciting update on Weverse, the fan community platform. They spilled the beans that the “Seven (ft Latto)- Alesso remix” takes the original track into the Progressive House genre, with Alesso leading the creative charge. The remix stands out with its dynamic build-up, drop sections, and the use of synth bass and vocal chops, creating a cool summer vibe. Big Hit Music expressed gratitude for the love shown to “Seven (feat. Latto)” and ignited anticipation for Jungkook’s upcoming solo projects.
Closing Thoughts
The ‘Dispatch’ investigation outcome shines a light on how intricate it can be to assess plagiarism claims in the realm of music. The expert insights, combined with Big Hit Music’s stance, paint a picture of the authenticity and creativity behind Jungkook’s solo endeavors. As fans eagerly await the remix of “Seven”, this episode serves as a reminder of the importance of thorough examination in preserving artistic integrity.